Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black
Original price was: $314.00.$299.00Current price is: $299.00.
Last updated on November 8, 2024 12:36 pm Details
- SONY E-mount
- With nine rounded aperture blades, a stepping ring motor, and compact design
- Perfect paring of high performance and pricing, Contemporary compactness, Art line Image Quality
- Accessories Included: Lens Hood, Rear and Front Cap. Diaphragm blades: 9 (Rounded)
- DC Lens Compatability SONY a33, a55, a57, a58, a65, a77, a99, a100, a200, a230, a300, a330, a350, a380, a700, a900
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9 reviews for Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E Black
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Providential –
It’s a super sharp lense with a really nice look and style to the images it takes
Jorge Ramos –
The Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E A6000 is a fantastic piece of equipment that offers exceptional image quality and versatility. As a photographer, I have been using this lens for several months now, and I have been blown away by its performance.
One of the things that I love most about this lens is its fast f/1.4 aperture, which allows for excellent low light performance and beautiful bokeh. I have been able to capture stunning portraits and creative shots with this lens that I couldn’t achieve with other lenses in my collection.
Another aspect of this lens that impressed me is its build quality. The lens is well-constructed and feels solid in the hand, which gives me confidence that it can withstand the rigors of regular use. The autofocus is quick and accurate, which is particularly useful when shooting fast-moving subjects.
In terms of image quality, this lens does not disappoint. The sharpness is excellent throughout the entire frame, even when shooting wide open at f/1.4. The colors are also accurate, and the contrast is punchy, giving images a beautiful pop.
Overall, I highly recommend the Sigma 30mm F1.4 Contemporary DC DN Lens for Sony E A6000 to any photographer looking for a high-quality, versatile lens that can capture stunning images in a variety of shooting scenarios. Whether you’re shooting portraits, landscapes, or street photography, this lens is an excellent choice that won’t disappoint.
Laura Hill –
Un objetivo del cual jamás me arrepentiré, básico y necesario para fotografía de retrato, se desempeña muy bien en el autoenfoque, destacando su calidad y nitidez. La construcción se siente premium, construido de aluminio, pero no te confundas, no agrega peso a tu cámara, resultando muy cómodo para viajar. En el video se desenvuelve muy bien, el bokeh que obtienes es sutil, cremoso. Definitivamente hermoso y muy conveniente en cuanto a precio-calidad.
Laura Hill –
Bonita, construção excelente, autofoco silencioso e rápido.
Providential –
For the past 7 years, this lens has been my constant companion, and my love for it remains as strong as on day one. I rely on it 95% of the time for my portrait photography. The autofocus performs reliably, the sharpness is outstanding, and its lightweight design makes it a joy to carry. I wholeheartedly recommend it to anyone embarking on their journey in portrait photography. It’s a fantastic value that sparks creativity.
Juan Hdez –
Great lens. I love the pictures it allows me to take.
Ethan L. –
Sony aps-c için aldım. Fiyatına göre performansı oldukça üstün.
Jon –
As many have said, this might just be the best prime lens for Sony’s E-Mount / APS-C cameras. I use it on my Sony A6000, and it’s amazing. Quick pros and cons:
Pros:
Best-in-class aperture. f1.4 is currently the best available on the market, there is no more open lens in this range.
Cheap. Compared to the competition, this lens is an absolute steal. Cheaper than the nearest Sony and Zeiss equivalents.
Amazing quality. I never knew a lens this cheap, and promising f1.4, could ever look this good. Unless you’re a serious photo pro who’s crawling over the pixels in Photoshop, this lens is near perfect at any setting. What small flaws it does have, are almost all easily fixed (e.g. very minor, best-in-class, barrel distortion). Anyone using this for point-and-shoot or basic portraits won’t need to do a thing, it looks great out of the box.
Cons:
No image stabilization. This is really both a pro and a con. You don’t need image stabilization anyway if you shoot with a tripod, so no sense paying for it. If you know anything about setting up your camera, you probably already know how to setup a fast shutter speed using the 1.4 to avoid almost all concerns about shaky hands. However, lacking image stabilization means handheld shots are a fraction slower and less stable than they would be with the Sony-equivalent lens that does have image stabilization. Really, I wouldn’t be worried if you know how to setup a lens, but the Sony is the easier “point and click” lens in the range. If you’re a studio photographer with a lot of lighting who depends on each individual shot being perfect yet you don’t use a tripod, then maybe you’d need to worry. I just shoot in multi-shot mode to make sure I get a good one.
Chromatic aberration. Also called “purple fringing”, lenses with low enough f-stop values are prone to splitting the light on the edges of a subject, leading to a bleeding effect where sharp differences in light cause the object to have a purple outline. Note that this outline is normally pretty hard to see unless you’re really blowing up the image (8×10?) or looking for it on a monitor. This is normal, and for this class of lense, this lense is still great for its class. If this is a major concern for you, either shop around, or learn to shoot around it (increase f-stop when shooting sharp light contrasts, for instance).
Zoom by wire. Most e-mount lenses don’t zoom on a 1:1 track with how you spin the ring, they relay that information to the camera which tries to guess what value you’re reaching for. This is totally normal across the range, but some people seem to be bothered by it, so take note. This lens dials in just as well as any of its fly-by-wire competitors, and I find I can get exactly the results I want using the simple “show a zoom during focus” option on my camera.
Overall:
This lens has all the normal flaws of a 1.4 in this price range, but it costs less, and has the lowest f-stop you can get. Absolutely, bar-none the best prime lens for most users. Requires only beginner-level knowledge to make the most out of it. Spend one day looking up tips on shooting with lenses with low f-stops, and you’ll be ready for this.
Jon –
Neat little lens that produces sharp shots. Has fast autofocus, minimal edge distortion (easily fixed in post) and accurate color rendition.
This 30mm 1.4 lens is a 45mm (f2.1) full-frame equivalent, so it definitely excels in low-light scenes and subject separation for portraits.
Paired with a compact APS-C body, this Sigma lens is also reasonably compact for travel purposes.
One thing I wish it did have was OSS, but for the price, it does everything else exceptionally well.